King Lear

King Lear

“I am a man, More sinn’d against than sinning” The ageing King decides to step down from the throne and divide his estate between his three daughters. Deceived by false promises and rejecting his one faithful daughter, Lear’s former kingdom spirals into chaos as he is driven to madness by the cruel treatment of his own family.

KING LEAR TALKS
DIRECTOR'S NOTES With Artistic Director Dominic Hill Thu 10 May, 5.30pm Ever wondered how a play is put on stage? Fascinating insights into casting, rehearsal, design, lighting and costume. THE MECHANICS OF THE STAGE Wed 2 May, 5.30pm An informal look at how lighting and sound are used in King Lear and why they are integral parts of every production. More info

Previews 20, 21 & 24 Apr
Audio Described 2 May, 7.30pm
Signed 2 May, 7.30pm
Captioned 10 May, 7.30pm
Wheelchair Access
Guide Dogs welcome
Induction Loop


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EDUCATION

Find out about the four King Lear workshops on offer for secondary students.
More info

PRESS

“The coming together of a great Shakespeare character and an equally great actor is a rare and memorable event. From Laurence Olivier’s Henry V to Mark Rylance’s Hamlet, such performances are the theatre equivalent of a lunar eclipse. One can now add to that Illustrious list, David Hayman’s King Lear”.
Daily Telegraph

“A truly defining portrait of the hapless monarch.”
Daily Telegraph

“It is a superb presentation across the board.”
Daily Telegraph

“A sense of occasion hardly begins to describe the tingling mood of anticipation at the Citizens Theatre.”
The Scotsman

“What’s striking about Dominic Hill’s fine production, though, is the extent to which it allows Hayman to become not a leading actor carrying the play alone, but the central figure in a rich rough-edged and occasionally thrilling ensemble of younger actors.”
The Scotsman

“Some stunning performances, notably from an electrifying Kieran Hill as Gloucester’s bastard son Edmund, and a spine-shiveringly eloquent Paul Higgins as the loyal nobleman Kent. In the end of course, the play belongs to Lear, and Hayman makes a fine visually eloquent job.”
The Scotsman

“There’s a glorious circularity to David Hayman’s return to the Citz after a 20-year absence in Dominic Hill’s mighty production of Lear.”
The Herald

“If watching Hayman in tatty long-johns go demented before a crowd of white-coated doctors is like gazing on the ghost of Citizens past, the final display of people power looks bravely towards the future.”
The Herald

“Hayman’s extraordinary performance reverberates with an unmistakeable emotional and psychological power.”
Sunday Herald

“...every other aspect of this superb staging, from excellent cast to Paddy Cunneen’s disconcerting music and sound, contributes splendidly to a coherent, transfixing and deeply memorable rendering of a great tragedy.”
Sunday Herald

“Dominic Hill’s startling reinvention of one of the Bard’s greatest tragedies has blown a tempest through Shakespeare’s text, extracting every subtext in every word, every emotion in every line and resurrecting ancient issues for a modern audience.”
WhatsOnStage.com

“His delivery of the tempest scene is shattering, interpreting the frustration and fury of his failing character with power and potency.”
WhatsOnStage.com

WHAT PEOPLE SAID

Read audience reactions on Storify

  • Cast & Creative Team
    CAST George Costigan - Gloucester Tony Cownie - Oswald Ewan Donald - Edgar David Hayman - King Lear Paul Higgins - Kent Kieran Hill - Edmund Kathryn Howden - Goneril Lynn Kennedy - Cordelia Cal Macaninch - Cornwall Shauna Macdonald - Regan Neil McKinven - Albany Owen Whitelaw - Fool Plus Ensemble CREATIVE TEAM Dominic Hill - Director Tom Piper - Designer Ben Ormerod - Lighting Design Paddy Cunneen - Music Richard Lavery – Assistant Director Renny Krupinski – Fight Director
Running Time: 3 hrs

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